studying at the Finnish School of Art and Design.

I think the advantages by the proposal which I have made are obvious and many, as well as of the highest importance.For first, as I have already observed, it would greatly lessen the number of papists, with whom we are yearly overrun, being the principal breeders of the nation as well as our most dangerous enemies; and who stay at home on purpose with a design to deliver the kingdom to the Pretender, hoping to take their advantage by the absence of so many good protestants, who have chosen rather to leave their country than stay at home and pay tithes against their conscience to an episcopal curate.Secondly, The poorer tenants will have something valuable of their own, which by law may be made liable to distress and help to pay their landlord's rent, their corn and cattle being already seized, and money a thing unknown.Thirdly, Whereas the maintenance of an hundred thousand children, from two years old and upward, cannot be computed at less than ten shillings a-piece per annum, the nation's stock will be thereby increased fifty thousand pounds per annum, beside the profit of a new dish introduced to the tables of all gentlemen of fortune in the kingdom who have any refinement in taste.

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Shapiro launched a Kickstarter to fund his project and inspire artists to submit their own sand designs to him. Per the Kickstarter campaign, he’s selling three versions of Sisyphus: a three- and four-foot version (both have walnut, birch, maple, and black veneer options); as well as a two-foot end table that’s metal with a glass top.


The Art of the Personal Essay - Google Books

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The architecture of the recently redesigned MoMA shepherds entering visitors towards the museum's sculpture garden and up a slate staircase into a six-story atrium. At the center of this space, from March 14 to May 31, one encountered the deceptively simple vision of Marina Abramović sitting quietly. As most of her works, the setup of Abramović's new work for the exhibition, “The Artist is Present,” contains few elements. The artist sits facing an empty chair (for two months of the show there was a table between the two seats). Everyone else in the museum (except the numerous security guards scattered through the space) is “encouraged to sit across from her for a duration of their choosing" ("The Artist is Present" 2010). Surrounding this ordinary intimacy is an expanse of (initially) empty space, cordoned off by a white tape on the floor and a Hollywood flood of lights from four stands at the corners of the box.