But after she and Miller traveled to England for four months for the filming of The Prince and the Showgirl, with Laurence Olivier, things began to sour. They moved into a magnificent manor called Parkside House, in Surrey, outside of London. On paper, it was an idyll: here she was producing a film directed by and starring one of the most respected actors of his generation, and living in a grand country house with the man she most loved. She couldn’t have felt more fulfilled and vindicated as an artist, until a chance discovery undermined her fragile confidence in herself and her trust in her husband. It was at Parkside House that Marilyn stumbled upon a diary entry of Miller’s in which he complained that he was “disappointed” in her, and sometimes embarrassed by her in front of his friends.
Now an extraordinary archive of Marilyn’s poems, letters, notes, recipes, and diary entries has surfaced that delves deep into her psyche and private life. These artifacts shed light on, among other things, her sometimes devastating journey through psychoanalysis; her three marriages, to merchant marine James Dougherty, Yankee slugger Joe DiMaggio, and playwright Arthur Miller; and the mystery surrounding her tragic death at the age of 36.
Romeo And Juliet Diary Entries Essays 1 - 30 Anti Essays
At first glance looks like a cash-in. In this first of two books, essayist David Sedaris prints selected diary entries made between the years 1977 and 2002. But like much of Sedaris’ deceivingly simple prose, the enjoyment in Theft By Finding comes not from its very basic conceit but its sharp observations and bone-dry humor. It’s easy to read the diary pages contained in Theft By Finding as Sedaris’ first draft to some of his most celebrated works—the initial observation, joke, or insight that will later be fleshed out, put down here in the present tense.