This quote embodied Cormac McCarthy's fourth novel and personified the main character, Cornelius Suttree, who traveled through the wasteland of the Tennessee River valley as a fisher of men.
The boy constantly begs his father to be sympathetic and charitable to the drifters that they encounter on the road, but the father usually refuses or either puts up an argument before finally giving into the boy, and handing over one or two cans of food to the stranger....
The Bad in The Road: Which Would You Do?
In terms of the fallout from The Arches, the artists themselves will not stop making work, but such well-established venues, highly equipped and offering a nurturing infrastructure, are harder to come by. Buzzcut Festival, while not a venue, does offer nurture, enthusiasm and support, and has grown remarkably in its reputation. Unfix Festival of Ecology and Performance began this summer in the CCA. It offers a thematic approach to curation that was successful in bringing a diverse range of performance, holding a debate with members of the Green Party, National Collective, Buddhist scholars and artists to discuss The Big Picture – that of environmental crisis, both global and personal: ecology for the heart as well as the earth. The festival cast a net where a wide range of people could come to share and talk about the great big terrifying issues. I was happy to place my work in all these places. I am one artist and I can take my work to various spaces, as can a festival.
the road cormac mccarthy essay first person essay g personal
Franco's obsession with McCarthy started years ago, first seeing the big screen with the 2013 Franco-written/directed adaptation of McCarthy's Child of God, which received mostly negative reviews, would lead one to think that the book and its protagonist present a tale that's readable in print, but unwatchable on screen.
The Road Critical Essays - eNotescom
When our mines closed, they were replaced by call centres and ‘business parks’, these new dark satanic mills. Where our steel works were demolished, the land lies empty and barren. When our factories closed, they were replaced by budget slave labour clothing, charity shops and pound shops. The recent closing of The Arches was devastating for the city, and more recently the controversial Red Road flats drew thousands of people to watch it blow up. Where do people go when the places they live are destroyed? Where do we all go when our habitats are eradicated?
The Road - Generated by IM Video Image Capture
For a long time in Glasgow, I noticed the vast number of building sites and commonplace demolitions that seem to erupt all over the city. I kept picturing myself crawling over piles of broken rubble – a lone Sisyphean task. Like the struggle of trying to survive in a city which seeks to destroy you. So often I see the future of modern world this way. I am obsessed by apocalyptic visions, images of The Road by McCarthy, the collapse of the environment and the spiritual malady that seems to affect so many. I watch the images of people all over the world experiencing apocalypse every day – war, natural disaster, addiction, greed, isolation, fear. Humanity is at a tipping point. We cannot sustain how we have somehow come to live. And it might not be a biblical end for us; no great fire or flood or disease. Perhaps our end is already here, happening by insidious acts, one by one.
Cormac Mcarthy The Road - download photos, textures
This is the city that voted YES to change and social progress for its people, but whose council makes frequent controversial demolitions to its services, space, and culture. This city has a reputation for drugs, violence, gangs, poverty and shocking life expectancy statistics. It is also home to a diverse collection of nationalities, scenes, and experiences. Whenever I tell anyone about Glasgow I always say, ”Whatever you are into, you will find people here who are too”. This city, like so many others across the UK, has been ravaged by the loss of a proud industrial heart. I have lived here for some 14 years and in that time I have observed Glasgow to be a electric, violent, battered and art-filled place. It is a place and a people who survive, who batten down the hatches and get on with things, just like many millions of other people in many other places.