Novelist and journalist Philip Caputo has written 15 books, including two memoirs, five books of general nonfiction, and eight novels. His acclaimed memoir of Vietnam, (1997), has been published in 15 languages, has sold two million copies since its publication, and is widely regarded as a classic in the literature of war. His novel, (2009), is set against a backdrop of drug and illegal-immigrant smuggling on the Mexican border. While his most recent book (2013) is a travel and adventure book. In addition to books, Caputo has published dozens of major magazine articles, reviews, and op-ed pieces in publications ranging from the New York Times, the Boston Globe, and the Washington Post to Esquire, National Geographic, and the Virginia Quarterly Review. Caputo’s professional writing career began in 1968, when he joined the staff of the Chicago Tribune, serving as a general assignment and team investigative reporter until 1972. For the next five years, he was a foreign correspondent for that newspaper, stationed in Rome, Beirut, Saigon, and Moscow. He has lectured at approximately 20 universities and prep schools around the country, has been a featured speaker for the National Book Committee, the American Library Association, and the American Publisher’s Association, and a participant at the Key West Literary Seminar, the Tennessee Williams Literary Festival, the Chicago Humanities Festival, and the Cheltenham Literary Festival in Cheltenham, England. He has also worked as a screenwriter for Paramount Pictures and Michael Douglas Productions. He has been a guest on the Charlie Rose Show and the Today Show, and has narrated or appeared in several TV documentaries on the Vietnam War, the Cold War, and other subjects.
George C. Herring, America’s Longest War: The United States and Vietnam, 1950-1975 (New York: Alfred A. Knopf, 1979), pp.153-54; also, Philip Caputo, Rumor of War (New York, 1977), p. xviii.
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Jonathan Schell, “The Village of Ben Suc” (1968), in The Real War: The Classic Reporting on the Vietnam War with a New Essay (New York: Da Capo Press, 2000) p. 188.