Published in vast numbers of titles, available everywhere, and sometimes selling in the millions, pulps were throwaway objects accessible to anyone with a quarter. Conventionally associated with romance, crime, and science fiction, the pulps in fact came in every genre and subject. tells how these books ingeniously repackaged highbrow fiction and nonfiction for a mass audience, drawing in readers of every kind with promises of entertainment, enlightenment, and titillation. Focusing on important episodes in pulp history, Rabinowitz looks at the wide-ranging effects of free paperbacks distributed to World War II servicemen and women; how pulps prompted important censorship and First Amendment cases; how some gay women read pulp lesbian novels as how-to-dress manuals; the unlikely appearance in pulp science fiction of early representations of the Holocaust; how writers and artists appropriated pulp as a literary and visual style; and much more. Examining their often-lurid packaging as well as their content, is richly illustrated with reproductions of dozens of pulp paperback covers, many in color.
The Catholic Church in the United States maintained an Index of Prohibited Books and the National Legion of Decency (founded in 1933) lobbied Hollywood to edit or ban movies, pulp magazines, and comic books that were morally suspect. These regulations posed an obstacle for the self-understanding of Catholic American readers, writers, and scholars. But as Cadegan finds, Catholics developed a rationale by which they could both respect the laws of the Church as it sought to protect the integrity of doctrine and also engage the culture of artistic and commercial freedom in which they operated as Americans. Catholic literary figures including Flannery O’Connor and Thomas Merton are important to Cadegan’s argument, particularly as their careers and the reception of their work demonstrate shifts in the relationship between Catholicism and literary culture. Cadegan trains her attention on American critics, editors, and university professors and administrators who mediated the relationship among the Church, parishioners, and the culture at large.
Free reed papers, essays, and research papers
Reed argues that our 'psychosocial ills' result from rampant 'degradation of opportunities for primary experience.' That Reed slides easily from 'experience' to 'information' is less due to Gibson's psychology than to the spirit of the time in which he writes: it is a truism that we live in an age of information, where every experience is an act of communication....
Reed college paideia essay writing
Reusing, repurposing, and upcycling clothing is the future, and yet we were doing it then simply because that was our only option. So how can we get people to do that very thing, before it becomes our only actual option? Now is the time to allow our ingenuity to be born of necessity. Once we've sucked the planet dry of any and every resource available while we satisfy our need for "more, more, more," we won't be afforded the luxuries we mindlessly enjoy today. This is why I'm turning to you. Maybe we can all take a few seconds to think about what we have, what we want, and then somehow merge the two. Perhaps that pair of jeans that seems too small just needs a little bit of leopard print sewn down the sides, those old dish rags you're ready to throw away are calling for a second life as an outdoor dog bed, or that T-shirt you outgrew is begging to be cut up into headbands. Be creative, get inspired. Then send me some of your creations, and I'll send you some of mine.
Essays and criticism on Lou Reed - Critical Essays
Thse around her do not find her an easy child - she gives very little of herself away, especially to the Reed family, although there is a slight intimacy with the servant, Bessie.
Essay - Research Paper - Reed-Wilkerson
Every project we excitedly take on together is peppered with all of those reminders, and sewing is no exception. I am currently navigating a new chapter of my life in the fashion industry with my line, . I'm attempting to create a sustainable line of products constructed from recycled materials. In doing so, I can't help but smile, because I'm reminded daily of my childhood. I'm beginning to truly understand consumerism—our desire for more styles, cheaper products, and a faster turn-around with a new model. I'm learning how the fashion industry should function, and even better, how it shouldn't: Mass-producing overseas while using toxic chemicals in unethically run factories is heartbreakingly destructive to our planet and all of its inhabitants. I'm comprehending all of this information and I'm wondering if Mom had it right all along. Maybe choosing to value what we already had and turning it into something new wasn't a way to appear "with the times" but rather a notion that was indeed ahead of its time. The difference is that we didn't know then what we know now, and we have the chance— individually and collectively—to use this knowledge for good.